Architectural drafting, that is.
In recent headlines, there has been mention of adding women to the Draft. It reminded me of a blog post I’ve long been planning to write. Why I want to bring back the draft—that is, the architectural kind.
There is something riveting about Revit, the way in which the structure comes alive. We can view and manipulate it at any angle. And how SketchUp gives us a sense of space. But now a days, I frequently encounter younger architects who can’t even remember the last time they drew something by hand (other than a doodle!).
Buildings, at the end of the day, are still built by our hands and once they are finished, they will be filled with people. Without a relationship between your hands, eyes and your idea, you remove an element of humanity. You forget the shoes that scruff, fingers that leave smudge marks. The space will never remain stark and its users will all be imperfect. This is an important element to understanding your structure and how it must exist.
Also, there’s a lingering memory with drawing by hand that cannot be replicated on a computer. I can visualize the first steps of all of my buildings, the thick black lines that would eventually lay out a new home or headquarters. Like on a computer, drafting by hand occurs through layers. Translucent sheets of paper laid across each other as they begin to weave a structure. In these early stages, we innately pick an angle, a focal point for our building. We are not yet connected to its three-dimensionality but rather its personality. What draws the eye? How does it fit into its site?
A computer can always solve the problems of a site, of a building. But it is rarely–if ever–an elegant solution. It is a cold and calculated one and usually ends up being inconvenient for the people who will share the space. Whenever I encounter the starkness of a building, inconvenient banisters, I can see an architect who has distanced themselves from the humanity of the building.