What is great architecture? What makes a building “good?”
As a woman, my buildings are immediately a political statement, a statement on my gender. I am often described as a “female architect” rather than just “architect.” But rather than let the politics of the system control my work: politics and aesthetics inspire and innovate me.
I don’t think great architecture comes from architects who dedicate themselves to one kind of project. After awhile, those two dozen office headquarters you’ve designed start to look alike. But good architecture isn’t just about vision either, it’s about a personal mission and a philosophy. Deciding what architecture meant to me and what creating a building meant—what it represented—was a seminal decision in my career and in my style.
In all of my projects, I try to imbue what I describe as humane modernism: buildings that are well built, that foster connections, and inspire their inhabitants, are an ethical responsibility. And this is a challenge.
Often times, the projects I take on have a moral and environmental dilemma to face; tight sites, tight budgets, modern but environmentally conscious design that can echo the voice of the clients. How can a Planned Parenthood clinic be both warm, opening but secure? How can a residence on a cliff (with a 200 foot drop) look romantic, modern but still fit on its rural site? And all while working with clients with their very own opinions.
I have designed health centers and multi-family residences. I have designed headquarters and homes, some from scratch and others were given to me with bones. In each project, I consider and apply my philosophy.
But your vision or mission doesn’t need to be morally or politically oriented like mine. Gehry’s façades play with perspective and his interiors with space. He challenges what a building can be. Hadid looked towards angularity that is still fluid. She compromised nothing
Discovering what philosophy motivates your creation—that is good architecture.