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The Architect’s Newspaper

I am incredibly honored to be featured as a studio visit on the Architect’s Newspaper!

Here’s the beginning of the article:

ImageSan Francisco’s Anne Fougeron is one of the torchbearers for women in architecture. As one of the very few to head up a design practice in the city—or in the country, for that matter—she’s learned how to make it through struggle.

“This profession is so unfriendly to women,” she said. “It’s hard for us to get work, it’s hard for us to be taken seriously. But it’s not a nice field for the guys either—so you have to buck up and just do it.” Committed to modernism and its rigors, she’s known for her elegantly detailed residences, and has made the jump to larger projects, including a branch library for the city and multifamily housing (a breadth of work explored in her recent monograph from Princeton Architectural Press).

Women in Architecture (“Because I am a woman, I must make unusual efforts to succeed. If I fail, no one will say, “She doesn’t have what it takes.” They will say, “Women don’t have what it takes.” – Clare Boothe Luce)

About a month ago, I sat down with Rebecca of the Architects’ Take to discuss what it is like being a woman in a male-dominated profession. I’ve pasted one of my favorite parts below and you can find the full interview is here.

For example, in the Architect’s Journal study about women in architecture, there was a woman who commented that Zaha Hadid’s success has resulted in her having no family life. My first reaction was “Who cares? And how is that relevant to her body of work as an architect?” Why is a family life something a successful woman has to give up? It might have never been on Zaha’s radar. How presumptuous it is for anyone to assume that Zaha is not perfectly happy with the choices she has made, both professionally and personally. Besides, just because you aren’t married doesn’t mean you are relegated to a life of spinsterhood. I remember the late 80s when that study came out saying that women over 35 were more likely to be abducted by terrorists than to get married.

Zaha could have had 7 lovers, one for every day of the week for all we know!

We – and women particularly – should all be proud of Zaha. She is a resounding success and an extraordinary architect. And frankly, I don’t hear the same criticism being applied to Rem Koolhaas. A few years ago, I remember a piece on him in the New York Times. And they were just flippantly describing his two families – one with his wife and the other with his mistress. I mean, he clearly had enough time on his hands. He had it all, and then some.

Women have a harder time than men in architecture, plain and simple. And it gets discouraging. You can get beaten down. It can be easier to find something else to do instead. I was a single mom at the same time that I had a firm, and it wasn’t easy. I didn’t have a life partner to support me; I had to work. I had some more flexibility, because it was my own firm, so I could incorporate my daughter into my work schedule. She would come to the office after school and it was fine. Or I didn’t have to ask permission to go to parent-teacher conferences. But I was the boss, and even when I could leave for an hour on a Wednesday to see her play basketball, I still had to land new jobs, make payroll, attend meetings, serve on architectural juries, and pay the rent.

 

Californian: the edge of the reason

When I was trying to decide just a few years ago what architecture graduate program to attend, I sought the counsel of my favorite professor, Eugenia Janis. She taught classes in art history and photography, she was voracious and vicious but also absolutely brilliant. She looked at me, and said, “Go to Berkeley. California is like nothing you have ever experienced. There’s no place like it.” She had been angling for months to stop me from returning to Europe because Janis didn’t appreciate comfort zones and she knew I was better than mine.

And when I did pack my bags and move to Northern California, I never left. And, really, she was right that California is nothing like Europe, nothing like anywhere in the world. Some people find that surprisingly, considering how many Europeans end up in California but I think there must be something in the water, or at the very least the Pinot, that changes you.

And it doesn’t hurt that there’s a dizzying amount of innovation at your doorstep, with the established titans like Apple, Facebook and Google but also the up-and-comers like Instagram, Foursquare and Cloudtap. California gives you momentum.

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Spotted in Taipei

My friend, Juliana, spotted my monograph thousands of miles from home while visiting Taipei for New Years!Image!

 

 

Wan 21 for 21 Awards

Check out the jury for the WAN awards 21 for 21 2012. Is it just me or is it wrong for the new generation of architects to be selected by an all white male jury?
 

Lovely review of my monograph by Residential Architects

Lovely review of my monograph by Residential Architects

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Phenomenal, Phenomenal

Now, it takes a lot to make get me walk down a 12” wide corridor as I am really claustrophobic.  Usually it’s a very dry, very strong martini. In this case, however, I did it for art (how many times have I heard that statement before?) when I went to see a show in San Diego. It was called Phenomenal: California Light, Space, Surface and featured artists like Bruce Nauman, James Turrell and Doug Wheeler.

 

This is my friend, Pauline, in the corridor. I may have rushed through a bit too quickly for the camera to pick me up.

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Archi Babble

Martin Filler, admittedly, gets a few chuckles out of me in this article about architectural firms and their names (or their “renames”). Firms want to seem modern and unique but their new names just seem to over complicate their identity. Filler provides some hilarious examples:

But surely no architectural moniker has been as thoroughly annoying as Coop Himmelb(l)au, dreamed up in Vienna in 1968 (perhaps over a funny Zigarette?). The effortfully parenthesized second part of that contorted tag conflates the German words for heaven (Himmel), blue (blau), and building (Bau).

And while Filler doesn’t necessarily touch on this directly, his article got me wondering about architects and language (I worry my daughter’s English degree is rubbing off on me). Namely, why architecture seems to be desperately looking for a new language in which to lose itself.

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36 Hours in Paris: Architect’s Edition

I’ve written on this blog about what influences me: fashion, food, a french heritage. But beyond my own personality, it also affects how I perceive the world.

It’s hard to turn off the architectural central nervous system. It is a lens, titanium-colored glasses, that I resigned myself to the moment I began my masters at Berkeley.

December in Paris is romantic. It’s the stuff movies are made of. But it’s rare that any trip I go on anymore isn’t about business. So, how can an architect properly experience the city when their trip is flanked by meetings?

Let’s skip the basics, or at the very least, the generics.

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A History of Western Architecture

I am delighted and very honored to announce that I am featured in the 5th edition of  David Watkin’s A History of Western Architecture.

And how did they know 691 was my favorite number?